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At its best, literary culture is a public conversation. Starting out in Chicago in the mid-1980s, the spoken word poetry movement flourished in the 1990s and continued onward into the 2000s. Stories that seldom found their way into published texts took forefront in these circles.
In this arena, the usual literary gatekeepers didn’t call the shots.
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Instead, spoken word poetry offered a more democratic access to self-expression that challenged canonical expectations of literature
Before the Internet provided a universal broadcasting platform, spoken word poetry was a supportive and nurturing space for writers at the margins of society.
The best rose to the top. In the decades prior to social media, spoken word poetry launched the careers of writers whose subject matter and background didn’t fit into conventional molds. Staceyann Chin was one of those writers.
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Born in Jamaica in 1972 of Chinese-Jamaican and Afro-Jamaican descent,